Cambridge Scholars recently published Form and Process in Music (An Analytic Sampler), a book in which I contributed a chapter, and helped edit. Basic information below. And HERE, the website if you want to purchase it.
Form and Process in Music, 1300-2014
An Analytic Sampler
Jack Boss, Heather Holmquest, Russell Knight, Inés Thiebaut and Brent Yorgason
Timothy Chenette, Susan de Ghize, Barbora Gregusova, Brent Yorgason, Dale Tovat, Sara Bakker, Laura Emmery, Ines Thiebaut, Adam Shanley, Jack Boss, Rich Pellegrin, Mathhew Ferrandino, Yi- Cheng Daniel Wu, Russ Knight, Heather Holmquest, Aaron J. Kirschner
Form and Process in Music, 1300–2014: An Analytic Sampler draws together papers delivered at the 2014 meeting of the West Coast Conference of Music Theory and Analysis. The conference spanned an unusually wide spectrum of musical styles, including papers on European twelve-tone music after the Second World War, fourteenth-century music, pop music and jazz, the music of living composers, narrative and characterization, and the history of music theory. The title of the book reflects the large span of musical cultures that are represented within, but also accounts for the common thread through all of these essays, a strong emphasis on understanding the forms and processes of music through analysis. The reader will find within it a compendium of analytic techniques for numerous musical styles.