inés thiebaut

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Inés Thiebaut (1979) was born and raised in Madrid, Spain. She is currently an Assistant Professor of Music at California State University East Bay. She holds a Ph.D from the CUNY Graduate Center (New York). Her research interests primarily engage with the music of the 20th century. Her dissertation is titled Symmetry and Interval Cycles in the Quartettos of Mario Davidovsky (with Joseph Straus as advisor), a portion of which was recently published under the title “Compositional Spaces in Mario Davidovsky’s Quartettos”, in Form and Process in Music, 1300-2014: An Analytic Sampler (Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2016). 

She holds a Bachelor of Music degree in music theory from the Professional Conservatory of Music Adolfo Salazar (Madrid, Spain, 2002), a Composition and Film Scoring Bachelor of Music degree from Berklee College of Music (Boston, 2006) and a Master of Arts in Composition from Queens College (New York, 2009).  While at CUNY she has studied with composers Jason Eckardt, Douglas Geers, Jeff Nichols and Hubert Howe, and theorists Joseph Straus, and Poundie Bernstein. During her career, Inés has also studied composition with composers Fabián Panisello and Marcela Rodriguez. She's taught extensively during her career, and has held adjunct positions at the Aaron Copland School of Music (Queens College, CUNY, 2008-2012) and at the John J Cali School of Music (Montclair State University, 2013-2014). Before her move to the East Bay Inés held a 3-year Visiting Assistant Professor position at the University of Utah.

Her music has been performed by the Second Instrumental Unit (David Fulmer, director), the Contemporary Music Ensemble (Whitney George, director/conductor), Mivos Quartet, New Music Singers (Cynthia Powell, Director); and the SospiroWinds, Transit, and Cygnus ensembles in New York; also by cellist Iracema de Andrade in Mexico City, and the Kalistos String Orchestra (David Callahan, Conductor) in Boston. 

Her orchestra piece The Unmarked was premiered by the Contemporary Youth Orchestra (Liza Grossman, director/conductor) in Cleveland in December 2009. in 2010 her piece Con Nombre de Olvido was premiered by international acclaimed percussionist Miquel Bernat in the “Festival Internacional de Música Contemporánea de Tres Cantos” (Madrid, Spain), and later had its Portuguese premiere in December 2011. That same year her piece Apocarpous II was performed by the Mexican Ensemble Espirales in the National Auditorium in Madrid as part of “Puentes II: Encuentro Hispano Mexicano de Música Contemporánea.” Her recent commissions include a percussion quartet for the mexican percussion ensemble Tambuco, several chamber works for the New York based ensembles Vigil, Cadillac Moon Ensemble and Ensemble 365, and a marimba and electronics piece for percussionist Jonathan Singer. Recently she finished a commission from trombonist David Whitwell, a violin and electronics work for Karen Kim and the Dr.Faustus: New Synchronisms project, and a chamber piece for Ensemble Mise-En.

Her recent works for the concert hall include a commission from flutist Julián Elvira, a piece for prónomo flute and electronics, a chamber piece for The Cadillac Moon Ensemble, commissioned by Julie Harting and Elizabeth Adams as part of their Anti-Capitalist Concert Series in New York, and a piano chamber concerto for the Nova Chamber Music Series (with pianist Jason Hardink as soloist) which premiered in the Spring of 2017. 

Inés's compositional interests also lie beyond the concert hall, as she is always eager to collaborate with other art forms. She has composed music for three productions of the Traverse City-based theatre company Parallel45, as well as several short films and dance pieces in Spain, Portugal, and the US. She is currently working on a second piano piece for pianist Jason Hardink, which will premiere in the Spring of 2021.